Sabtu, 31 Mei 2014

Get Free Ebook Melodious and Progressive Studies for Clarinet, Book 2

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Melodious and Progressive Studies for Clarinet, Book 2

Melodious and Progressive Studies for Clarinet, Book 2


Melodious and Progressive Studies for Clarinet, Book 2


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Melodious and Progressive Studies for Clarinet, Book 2

Product details

Paperback: 64 pages

Publisher: Southern Music Co.; B451 edition (1971)

Language: English

ISBN-10: 158106067X

ISBN-13: 978-1581060676

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#735,484 in Books (See Top 100 in Books)

I am re-inventing myself as a clarinetist, after many years away from it. I have a degree in music ed and clarinet performance, so it isn't exactly a stretch. I have been collecting books I used to own and use, and this was always a favorite of mine. Still is. There is a wide variety of stuff to work on....phrasing, articulations, slurring, musicality....I just love this book.

Very good book

The book came in a nice and clean plasticwrapping with a stick of ccardboard to make sure it doesnt bend. I was satisfied with the product as well as the time it got here.

The book was in good condition and without damage. The exercises within it are exciting and effectual toward mastery of the clarinet.

Probably suitable for about a grade three level and then just goes up and up and up. I liked it,

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Sabtu, 26 April 2014

Ebook Download , by Charles Rubin

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Product details

File Size: 253 KB

Print Length: 228 pages

Publisher: New Century Publishers; Revised 3rd edition (September 11, 2013)

Publication Date: September 11, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005LQQWIM

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Amazon Best Sellers Rank:

#115,209 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

It's Friday night and I find myself standing at the edge of this horrible black chasm. I'm beginning to realize I may have to make a choice between my alcoholic child and myself. I can't believe I am even considering this but my doctor is becoming concerned. If my blood pressure doesn't improve she is suggesting medication, if my cholesterol doesn't improve she is suggesting medication, if my blood sugar keeps moving in the direction it is trending she is suggesting insulin. She is telling me I must reduce the stress in my life. I can't remember the last time I was able to sit in my home and enjoy a peaceful evening. Ever vigilant to the sounds coming from my adult child's home next door. Is the yelling just a loud tv program or is she and the boyfriend du jour having another fight. Is the crash I hear something or someone being thrown against the wall or just a door being closed too hard? It's late and I hear her car start up. Is she already drunk and heading out for more or is she heading to the bar to get blackout drunk and drive home that way? Should I call the police and warn them she is driving drunk and endangering everyone else on the road? Another promise has been broken and this time in such a cruel way I feel it is so personal but the other realization I am coming to is that it has nothing to do with me. She hasn't thought or worried about anyone but herself for a very long time. She is so deep in her addiction that's all she can see now and the loving thoughtful child I used to know is gone, lost in the alcoholic mist. How can I abandon her but how can I go on living like this? She cries, she promises, she claims to need me but it is becoming more and more clear she only needs me to use when it suits her and we are both growing sicker every day in this awful dance we do. I feel like I am standing on the curb watching this horrible crash beginning to unfold and there is nothing I can do to prevent it. All I can do is stand there and pray there is something left to salvage when it is over. I turn to the internet to look for help, answers, comfort, something and I stumble across this book. I order the sample for my kindle and as soon as I have finished it I order the book. I read into the night. I am brought to tears when the author talks about losing the family he remembers. I too have been mourning the loss of the times we were together laughing so hard our sides hurt, sharing delicious meals and playing games together. It's all gone now. I've lost my son to alcohol and now my daughter is slipping away. I read on and see my own life in the pages of this book and am so relieved to find out I am not the only one facing this heart breaking, gut wrenching choice. I'm not the only one struggling with the feelings of guilt and anger. I find the practical suggestions helpful and the realization that I am not the only parent standing on the edge of this awful chasm helps me calm and begin to think about what I am willing and able to do and what I am no longer willing or able to do. I highly recommend this to anyone loving and trying to live with an alcoholic.

This book literally saved my sanity. For anyone who has a child that is caught up in the insane world of substance abuse, this book should be required reading.It shows that you are not alone, that your feelings are what all of us feel in this situation and that hard as it is, there is a way back for you, the parent, to save yourself. Mr. Rubin is to be applauded for his honest and frank discussion of his own experience and for his solid and workable advice to parents on recovering their own lives in the midst of the hell that is the addiction of one's child. He also makes it clear that as much as the parent wants to help and save their child, the more important thing is to save yourself, because the child has to make the decision themselves to get help and turn their own life around.Mr. Rubin's greatest gift in this book is to tell his readers that they don't have to sacrifice themselves on the alter of "being a good parent" for a child hell bent on destruction, addiction and using the parents to sustain their habits, because the best thing to do is save yourself first, so you can be ready if and when the child is serious about getting clean. The parent has and is entitled to a life also, apart from addictions of their children.I have already given this book to several people I know in this struggle and sadly, I have a feeling will be giving several more.

This book changed my life. My son is an addict and it was eating me alive. I could have almost written some of the case studies in the book, so it really hit home and told me I am not alone in this struggle. It is no exaggeration to say that the book changed my life. At the time I read it I was so filled with anxiety that I was on two different anti-anxiety / anti-depression drugs and spending each night tossing and turning. After reading it, I got off those meds and am now back among the human race. This book won't solve your problems or your kids' problems, but it sure made it clear to me that I had already done what I could and now it is up to my son. It is extreme tough love, but anything much short of that just doesn't seem to work. I still fear for my son's future, but have accepted that it is not something that I can change - he has to do the changing.

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Kamis, 24 April 2014

Free PDF The Miraculous Journey of Edward Tulane, by Kate DiCamillo

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The Miraculous Journey of Edward Tulane, by Kate DiCamillo

The Miraculous Journey of Edward Tulane, by Kate DiCamillo


The Miraculous Journey of Edward Tulane, by Kate DiCamillo


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The Miraculous Journey of Edward Tulane, by Kate DiCamillo

From School Library Journal

Starred Review. Grade 3-6–This achingly beautiful story shows a true master of writing at her very best. Edward Tulane is an exceedingly vain, cold-hearted china rabbit owned by 10-year-old Abilene Tulane, who dearly loves him. Her grandmother relates a fairy tale about a princess who never felt love; she then whispers to Edward that he disappoints her. His path to redemption begins when he falls overboard during the familys ocean journey. Sinking to the bottom of the sea where he will spend 297 days, Edward feels his first emotion–fear. Caught in a fishermans net, he lives with the old man and his wife and begins to care about his humans. Then their adult daughter takes him to the dump, where a dog and a hobo find him. They ride the rails together until Edward is cruelly separated from them. His heart is truly broken when next owner, four-year-old Sarah Ruth, dies. He recalls Abilenes grandmother with a new sense of humility, wishing she knew that he has learned to love. When his head is shattered by an angry man, Edward wants to join Sarah Ruth but those he has loved convince him to live. Repaired by a doll store owner, he closes his heart to love, as it is too painful, until a wise doll tells him that he that he must open his heart for someone to love him. This superb book is beautifully written in spare yet stirring language. The tender look at the changes from arrogance to grateful loving is perfectly delineated. Ibatoullines lovely sepia-toned gouache illustrations and beautifully rendered color plates are exquisite. An ever-so-marvelous tale.–B. Allison Gray, John Jermain Library, Sag Harbor, NY Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Gr. 2-4. As she did in her Newbery Medal Book, The Tale of Despereaux (2004), DiCamillo tucks important messages into this story and once more plumbs the mystery of the heart--or, in this case, the heartless. Edward Tulane is a china rabbit with an extensive wardrobe. He belongs to 10-year-old Abilene, who thinks almost as highly of Edward as Edward does of himself. Even young children will soon realize that Edward is riding for a fall. And fall he does, into the sea, after mean boys rip him from Abilene's hands during an ocean voyage. Thus begins Edward's journey from watery grave to the gentle embrace of a fisherman's wife, to the care of a hobo and his dog, and into the hands of a dying girl. Then, pure meanness breaks Edward apart, and love and sacrifice put him back together--until just the right child finds him. With every person who taouches him, Edward's heart grows a little bit softer and a little bit bigger. Bruised and battered, Edward is at his most beautiful, and beautiful is a fine word to describe the artwork. Ibatoulline outdoes himself; his precisely rendered sepia-tone drawings and color plates of high artistic merit are an integral part of this handsomely designed package. Yet even standing alone, the story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud. Ilene CooperCopyright © American Library Association. All rights reserved

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Product details

Age Range: 6 - 9 years

Grade Level: 1 - 4

Lexile Measure: 700L (What's this?)

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Hardcover: 228 pages

Publisher: Candlewick (February 14, 2006)

Language: English

ISBN-10: 0763625892

ISBN-13: 978-0763625894

Product Dimensions:

7.3 x 0.8 x 8.3 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

2,609 customer reviews

Amazon Best Sellers Rank:

#18,540 in Books (See Top 100 in Books)

We only bought this at the recommendation of my daugter's teacher. Originally, my 10-year old daughter wanted to take (what she thought would be) the easy way out and read Diary of a Wimpy Kid for her book report. She thought she was sly because most of those books are pictures anyway, so it wouldn't be much reading. Her teacher said she would allow that, but recommended that she try this book instead. As soon as this book was delivered, my daughter started reading. After a few pages, she commented how incredibly sad this book was, and I thought that was it. I didn't think she'd even give it a chance. Needless to say, she finished the book and LOVED IT! She was having a really hard time getting enough substance out of the Diary of a Wimpy Kid book to write a book report about, but once she read the Tulane book, the report just flowed out of her. It was amazing. She loved the book, and I think she got something out of it. I feel like she learned about loyalty and appreciation for the people who care for you.

With tears in my eyes, I write this review, as I have just finished The Miraculous Journey of Edward Tulane. This book was suggested to me by Amazon. We have 12 grandchildren and they are all avid readers.This book is a children's book, a lesson in life and loving, tells of heart break and loss, of being selfish and then knowing what real love means. And it also shows us to appreciate all that happens in our life and the people that we meet and our experiences, as they help us to grow and be what we should be.

When your 8 1/2 year old granddaughter runs to you and says, "This is the best book you'll ever read, Grandmom. Now here, read it" -- well you know that's what you must do. I was expecting a silly rabbit story, big font, short words. I was so, so wrong. I began that evening and could hardly put it down at bedtime! The writing is excellent and the characters are engaging. There were some words that I was sure Audrey would not have understood. And the depth of the characters is beyond a 2nd grader's understanding. A teacher read this to her enriched language arts class and thus was able to explain some of the deeper meanings. As I neared the ending of the book, I kept a tissue close by as I feared for yet another disaster. For my granddaughter and for me it will be a reference point to which we can return again and again through the years and peel back even more layers of this marvelous gem of a book. Thank you, my precious Audrey for inviting me on the journey.Written by Sarah, Tom's wife

This book is as close to perfect as I've found. The story does what fiction does best- draws the reader in, busts their heart wide opens, and leaves them a little changed by the end. DiCamillo explores what we all long to feel and understand- love- and she does so in a way that a child can grasp perhaps better than the adult reading it to them. But adults can get this story too. The characters are striking, and the events haunting to anyone who has felt love and loss. Be careful reading this book if you have a heart- you may find it.

Another teacher recommended this book to me and as a Kate DiCamillo fan, I purchased two so that I could read it aloud to my class this year. My class LOVED this read aloud and talk about it constantly, even still, after it's been about a month since we finished it and have moved onto reading Tiger Rising (also recommend that book by Kate DiCamillo especially for studying symbolism). My kids were really bored with the first two chapters of this book and then they were HOOKED instantly. We used the book to study characters and it was perfect for that purpose. There are so many characters and Edward changes beautifully throughout the book.

I have read this book to all 3 of my kids over the years (multiple times to each of them). My oldest is 19 and in college and my youngest is 9. I've read it so much I think I could recite it with my eyes shut in places. The story is captivating and heartwarming. Even though things change and life takes you in directions you had not planned, and even when nothing seems to be in your control, it's reassuring to know you always find your way back home. Each time I read it, I pick up on more and more of the little details that foreshadow the story and tie it together. Love this author. Am buying this again for my niece's daughter now who is 8. This is the PERFECT bedtime story. LOVE IT!

I had to get this book for a college course on children's literature, and this is now one of my favorite books.I read it I one sitting, and i think any child with a love of reading aged 8and up could read it fairly easily.This book is such a gem. I wish i had gotten the hardback version, but i had no idea how much i would love it.This is a book i will read over and over. Its about love, loss, perseverance, being strong in the face of helplessness, and hope. But it's much more than that.It is beautifully written, and has a perfect ending.

Edward Tulane is a distinguished, but vain, china rabbit. Edward’s girl Abilene loves him and he loves her right back. When Edward’s perfect life takes a turn for the worse, he learns there is more to life than trinkets and fine clothes.I really love Kate DiCamillo. Her book ‘Because of Winn Dixie’ is one of my favorites. I only recently heard of ‘Edward Tulane’. As soon I found out it is a story about a vain stuffed rabbit, I had to read it.The people Edward meets along his journey all have hard luck stories. Along Edward’s travels and with every new person he meets, Edward learns a lot about himself and the world around him. He bonds with all the people he travels with and helps fill a void in each and every one of them. In this Edward learns humility.This book absolutely gave me all the feels. Nellie, Bull & Lucy, and especially Bryce and his sister’s stories all pulled at my heartstrings. This book isn’t just for kids. This book is for everyone. It is amazing, beautiful, warm, and heart wrenching. The amazing illustrations added to the warm fuzzy feeling I got from this book. You must not only read this book, you must get everyone you know to read it.

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Selasa, 15 April 2014

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Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs

About the Author

Amelia Griggs is an Instructional Designer and eLearning developer. She has a M.S. in Instructional Design and Technology from Philadelphia University, and a B.B.A in Computer Science from Temple University. In addition to designing and developing all kinds of educational materials, including instructional videos, Amelia also loves writing educational articles, fictional short stories and poetry. * Computer learning website: http://easylearningweb.com * YouTube Channel: http://www.youtube.com/user/easylearningweb * Online articles: http://easylearningweb.hubpages.com/ * e-Learning blog at http://easylearningweb.blogspot.com/ * Pinterest: http://www.pinterest.com/easylearningweb * Facebook: http://www.facebook.com/easylearningweb

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Product details

Series: Easy Learning Microsoft Office How-To Books

Paperback: 200 pages

Publisher: CreateSpace Independent Publishing Platform (June 13, 2018)

Language: English

ISBN-10: 1720915024

ISBN-13: 978-1720915027

Product Dimensions:

8 x 0.5 x 10 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#817,983 in Books (See Top 100 in Books)

It has been a few years since I used PowerPoint, however, this book is the perfect refresher. It is also a great way for beginners to learn many useful functions in PowerPoint. The topics follow a logical progression, but, the structure of the book allows topics and functions to be accessed in whatever order suits the reader. The graphics are clear in the Kindle version of the book, the text formatting assists in readability, and the step-by-step approach provides clarity in learning new ways to use PowerPoint. The author has taken great care to ensure that the explanations apply for versions of PowerPoint from 2007 to date. The most impressive part of the book is that it is supported by 25 short tutorial videos that demonstrate how to apply the concepts. This is a great resource. I highly recommend this book to anyone that works with PowerPoint.

Before reading tgis book, I knew very little about using PowerPoint, but the quick and well-written lessons on each new feature made it easy to create a presentation that looked more sophisticated than anything I've attempted before. I knew this was a good bet after reading the same author's books on Excel and Word, but I learned more than I expected, and the book was an easy and enjoyable read. I'd recommend it to anyone interested in learning how to make the most of Microsoft PowerPoint --whether they're a newbie to presentation software or just new to PowerPoint. The book even includes links to helpful videos that the author made to help the reader learn each lesson well by demonstrating the use of each feature. The author thought of everything!

Recently I had to create a quick PowerPoint presentation for an online class that I was taking. Since I hadn't used PowerPointe in quite some time I kept procrastinating. After coming across this easy to use, concise, well focused & purposeful gem for the busy working student, I just needed to make mention so that others like me could also find quick success! From the relevant & applicable training scenarios to the helpful accompanying bonus videos & quick tips, any user can feel comfortable & confident in using PowerPointe after using this guide.I look forward to utilizing more books from this author. She seems to have quite a handle on technical training for beginners & advanced users that need a refresher or update on new function.

When I'm looking for software training, I love using books that show screenshots. That way I can tell if I'm on the right track. And this guide definitely delivers in that department!I also liked the Quick Tips. I've been using PowerPoint for many years. But even I got some helpful tips.Heads up: The book really requires a tablet or desktop computer for best viewing and use. But that's to be expected with a screenshot-intensive book like this. And you'd probably most likely use it there anyway.Definitely helpful!

Where to begin? I'm absolutely in awe! Who knew you could do so much in Power Point? Granted - I'm no expert. But now I feel like one. Did you know you can record audio in PP? What about animation? Yes! What's even better is this is a FUN way to learn this program and the videos take it to a new higher level. I can't thank the author enough. I have all her books.

I have used Powerpoint for many years and now have a better understanding through Amelia’s teaching. She definitely her stuff and, more importantly, she know how to teach. If you want to take your knowledge to the next level, this book is for you.

As someone who uses this powerful tool to create content for webinars and online training, I had forgotten how many features are available inside PowerPoint. This book is well organized so you can go directly to the feature you need or are looking for (and the screenshots are invaluable). Using an older version? No worries. The author has notated the differences. Consider this book your valuable guide to PowerPoint! And the large print is so easy to read!

I found this book to be very helpful and would highly recommend it, whether you are new to PowerPoint, or even if you already use it, the book applies to every level from beginner to advanced. I especially liked the companion videos at the end of each chapter to see demonstrations too. Very good book!

Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs PDF
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs EPub
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs Doc
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs iBooks
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs rtf
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs Mobipocket
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs Kindle

Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs PDF

Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs PDF

Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs PDF
Microsoft PowerPoint 2016 2013 2010 2007 Tips Tricks and Shortcuts (Black & White Version): Presentations, Special Effects and Animations in 25 ... Microsoft Office How-To Books) (Volume 3), by Amelia Griggs PDF

Kamis, 27 Maret 2014

PDF Ebook The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour

PDF Ebook The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour

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The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour

The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour


The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour


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The Man from the Broken Hills (Talon and Chantry), by Louis L'Amour

About the Author

LOUIS L'AMOUR was truly America's favorite storyteller. He was the first fiction writer ever to receive the Congressional Gold Medal from the United States Congress in honor of his life's work, and was also awarded the Medal of Freedom. There are over 3 million copies of L'Amour programs in print from Random House Audio.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter OneI caught the drift of woodsmoke where the wind walked through the grass.A welcome sign in wild country . . . or the beginning of trouble.I was two days out of coffee and one day out of grub, with an empty canteen riding my saddle horn. And I was tired of talking to my horse and getting only a twitch of the ears for answer.Skylining myself on the rimrock, I looked over the vast sweep of country below, rolling hills with a few dry watercourses and scattered patches of mesquite down one arroyo. In this country, mesquite was nearly always a sign that water was near, for only wild mustangs ate the beans, and if they weren't bothered they'd rarely get more than three miles from water. Mesquite mostly grew from horse droppings, so that green looked almighty good down there.The smoke was there, pointing a ghost finger at the sky, so I rode the rim looking for a way down. It was forty or fifty feet of sheer rock, and then a steep slope of grass-grown talus, but such rims all had a break somewhere, and I found one used by run-off water and wild animals.It was steep, but my mustang had run wild until four years old, and for such a horse this was Sunday School stuff. He slid down on his haunches and we reached bottom in our own cloud of dust.There were three men around the fire, with the smell of coffee and of bacon frying. It was a two-bit camp in mighty rough country, with three saddle-broncs and a packhorse standing under a lightning-struck cottonwood."Howdy," I said. "You boys receivin' visitors, or is this a closed meetin'?"They were all looking me over, but one said, "You're here, mister. Light and set."He was a long-jawed man with a handlebar mustache and a nose that had been in a disagreement. There was a lean, sallow youngster, and a stocky, strong-looking man with a shirt that showed the muscle beneath it.The horses were good, solid-fleshed animals, all wearing a Spur brand. A pair of leather chaps lay over a rock near the fire, and a rifle nearby."Driftin'?" the stocky fellow asked."Huntin' a job. I was headed east, figurin' to latch onto the first cow outfit needin' a hand.""We're Stirrup-Iron," the older one commented, "an' you might hit the boss. We're comin' up to roundup time and we've just bought the Spur outfit. He's liable to need hands who can work rough country."Stepping down from the saddle I stripped off my rig. There was a trail of water in the creek, about enough to keep the rocks wet. My horse needed no invitation. He just walked over and pushed his nozzle into the deepest pool."Seen any cattle over west?" The handlebar mustache asked."Here an' there. Some Stirrup-Irons, HF Connected, Circle B . . . all pretty scattered up there on the caprock.""I'm Hinge," the handlebar said, "Joe Hinge. That long-legged galoot with the straw-colored hair is Danny Rolf. Old Muscles here is Ben Roper."The boy there," he added, "is all right. Seein's he ain't dry behind the ears yet an' his feet don't track."Rolf grinned. "Don't let him fool you, mister. That there ol' man's named Josiah . . . not Joe. He's one of them there pate-ree-archs right out of the Good Book."I collected my horse and walked him back onto the grass and drove in the picket pin, my stomach growling over that smell of bacon. These were cowhands who dressed and looked like cowhands, but I knew they were doing some wondering about me.My rope was on my saddle and I was wearing fringed shotgun chaps, a sun-faded blue shirt, army-style, and a flat-brimmed hat that was almost new but for the bullet hole. I also wore a six-shooter, just as they did, but mine was tied down."Name's Milo Talon," I said, but nobody so much as blinked."Set up," Hinge suggested, "we're eatin' light. Just a few biscuits and the bacon.""Dip it in the creek," I said, "and I'll eat a blanket.""Start with his," Ben Roper gestured to Rolf. "He's got enough wild life in it to provide you with meat.""Huh! I—!""You got comp'ny," I said, "five men, rifles in their hands."Roper stood up suddenly, and it seemed to me his jaws turned a shade whiter. He rolled a match in his teeth and I saw the muscles bulge in his jaws. He wiped his hands down the side of his pants and let them hang. The kid was up, movin' to one side, and the oldster just sat there, his fork in his left hand, watching them come."Balch an' Saddler," Hinge said quietly. "Our outfit an' them don't get along. You better stand aside, Talon.""I'm eatin' at your fire," I said, "and I'll just stay where I am."They came on up, five very tough men, judging by their looks—well-mounted and armed.Hinge looked across the fire at them. " 'Light an' set, Balch," he offered.Balch ignored him. He was a big man, rawboned and strong with a lantern jaw and high cheekbones. He looked straight at me. "I don't know you.""That's right," I said.His face flushed. Here was a man with a short fuse and no patience. "We don't like strange riders around here," he said flatly."I get acquainted real easy," I said."Don't waste your time. Just get out."He was a mighty rough-mannered man. Saddler must be the square-shouldered, round-faced man with the small eyes, and the man beside him had a familiar look, like somebody I might have seen before."I never waste time," I said. "I thought I'd try to rustle a job at the Stirrup-Iron."Balch stared at me, and for a moment there we locked eyes but he turned his away first and that made him mad. "You're a damn fool if you do," he said."I've done a lot of damn fool things in my time," I told him, "but I don't have any corner on it."He had started to turn his attention to Hinge, but his head swung back. "What's that mean?""Read it any way you like," I said, beginning not to like him.He did not like that and he did not like me, but he was not sure of me, either. He was a tough man, a mean man, but no fool. "I'll make up my mind about that and when I do, you'll have my answer.""Anytime," I said.He turned away from me. "Hinge, you're too damn far west. You start back come daybreak and don't you stop this side of Alkali Crossing.""We've got Stirrup-Iron cattle here," Hinge said. "We will be gathering them.""Like hell! There's none of your cattle here! None at all!""I saw some Stirrup-Irons up on the cap-rock," I said.Balch started to turn back on me, but Ben Roper broke in before he could speak. "He saw some HF Connected, too," Roper said, "and the major will want to know about them. He will want to know about all of them."Balch reined his horse around. "Come daybreak, you get out of here. I'll have no Stirrup-Iron hand on my ranch.""Does that go for the major, too?" Roper asked.Balch's face flamed with anger and for a moment I thought he would turn back, but he just rode away and we watched them go, then sat down."You made an enemy," Hinge commented."I'm in company," I replied. "You boys were doing pretty well yourselves."Hinge chuckled. "Ben, when you mentioned the major I thought he'd bust a gut.""Who," I asked, "is the major?""Major Timberly. He was a Confederate cavalry officer in the late difficulty. Runs him some cattle over east of here and he takes no nonsense from anybody.""He's a fair man," Hinge added, "a decent man . . . and that worries me. Balch an' Saddler aren't decent, not by a damn sight.""Saddler the fat one?""It looks like fat, but he's tough as rubber, and he's mean. Balch is the voice and the muscle, Saddler is the brain and the meanness. They come in here about three, four years ago with a few head of mangy cattle. They bought a homestead off a man who didn't want to sell, and then they both homesteaded on patches of water some distance off."They've crowded the range with cattle, and they push . . . they push all the time. They crowd Stirrup-Iron riders and Stirrup-Iron cattle, and they crowded the cattle of some other outfits.""Like Spur?" I suggested.They all looked at me. "Like Spur . . . crowded him until he sold his brand to Stirrup-Iron and left the country.""And the major?""They leave him alone. Or they have so far. If they crowd him, he'll crowd back . . . and hard. The major's hands don't scare like some of the others. He's got a half dozen of his old Confederate cavalrymen riding for him.""What about Stirrup-Iron?"Hinge glanced at Roper. "Well . . . so far it's been kind of a hands-off policy. We avoid trouble. Just the same, come roundup time we'll ride in there after our cattle, calves and all."We ate up. The bacon was good and the coffee better. I ate four rolls dipped in bacon grease and felt pretty good after my fifth cup of coffee. I kept thinking about that third man. The others had been cowhands, but the third man . . . I knew him from somewhere.Most of the last three years I'd been riding the outlaw trail. Not that I was an outlaw. It was just that I liked the backbone of the country, and most of the outfits I'd worked for since leaving the home ranch had been along the outlaw trail. I'd never crossed the law at any point and had no notion of it, but I suspect some of the outlaws thought I was a cattle detective, and more took me for some kind of a lone hand outlaw. It was simply that I had a liking for rough, wild country . . . the high-up and the far-out.My brother Barnabas . . . named for the first of us ever to come across from England . . . he took to schooling and crossed the ocean to study in England and France. While he learned the words of Rousseau, Voltaire and Spinoza, I was cutting my educational teeth on the plains of the buffalo. While he courted the girls along the old Boul' Miche, I busted broncs on the Cimarron. He went his way and I mine, but we loved each other none the less.Maybe there was a wildness in me, for I had a love for the wind in the long grass blowing, or the smell of woodsmoke down some rocky draw. There was a reaching in me for the far plains, and from the first day that I could straddle a bronc it was in me to go off a-seeking.Ma held me as long as she could, but when she saw what it was that was choking me up with silence she took down a Winchester from the gunrack and handed it to me. Then she taken a six-shooter, holster, belt and all, and she handed them to me."Ride, boy. I know it's in you to go. Ride as far as you've a mind to, shoot straight when you must, but lie to no man and let no man doubt your word."It is a poor man who has not honor, but before you do a deed, think how you will think back upon it when old age comes. Do nothing that will shame you."She saw me to the door and when I started to saddle my old roan, she called after me. "No son of mine will go forth upon a horse so old as that. Take the dun . . . it's a wicked one he is, but he'll go until he drops. Take the dun, boy, and ride well."Come back when you're of a mind to, for I'll be here. Age can seam my face as it can the bark of an oak, but it can put no seams in my spirit. Go, boy, but remember you are a Sackett as well as a Talon. The blood may run hot, but it runs strong."They were words I still remembered."We'll ride home in the morning," Hinge said. "We will talk to the major, too.""Who's your boss? Who runs the Stirrup-Iron?"Danny Rolf started to speak, but shut up at a look from Roper. It was Hinge who replied. "An old man," he said, "and a kid girl.""She ain't no kid," Danny said, "she's older'n me.""A girl-kid," Roper added, "and the old man is blind."I swore."Yeah," Roper said, "you'd better think again, mister. You ain't in this like we are. You can ride on with a clear conscience.""If a man can ever leave a pair like Balch and Saddler behind and still have a clear conscience. No," I said, "I ate of your salt, and I'll ride for the brand if they'll take me on.""What's that mean?" Danny asked. "That about the salt?""Some folks think if you eat of somebody's bread and salt it leaves you in debt . . . or something like that," said Hinge."That's close enough," I said. "Are you boys quitting?"There was no friendly look in their eyes. "Quittin'? Who said anything about quittin'?""Goin' against a tough outfit for a blind man and a girl," I said, "just doesn't make sense.""We ain't about to quit," Roper said.I grinned at them. "I'm glad I ate that salt," I said.Chapter TwoThe ranch house on the Stirrup-Iron was a low-roofed house of cottonwood logs chinked with adobe, its roof of poles covered with sod where grass had sprouted and some flowers grew.Nearby were three corrals of peeled poles, and a lean-to barn with an anvil at one end, as well as a forge for blacksmithing.It was a common enough two-by-twice outfit with nothing special about it. Others of its kind could be found in many parts of Texas and other plains states. Only when we rode down the long, gradual slope toward the house did we see a man standing in the yard with a rifle in the hollow of his arm.He must have agreed with what he saw, for he turned on his heel, seeming to speak toward the house. Then he walked back to the bunkhouse which lay across the hard-packed yard facing the shed.

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Product details

Series: Talon and Chantry

Audio CD

Publisher: Random House Audio; Unabridged edition (March 5, 2019)

Language: English

ISBN-10: 1524783315

ISBN-13: 978-1524783310

Product Dimensions:

5.1 x 1.1 x 5.9 inches

Shipping Weight: 7.5 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

87 customer reviews

Amazon Best Sellers Rank:

#317,528 in Books (See Top 100 in Books)

Another reviewer felt dissatisfied with the ending of Ann going off with Roger. Well, I can't say that I was happy about that either, but those kinds of things do happen. People who should have enough sense not to get into trouble walk right into anyway. For me, the interesting part in the story is how the Rossiters were related to Lisa. I hadn't expected that. But then in those days the world was small...all the cowpokes knew all the others in the same business. It really helped me to look on Google Earth and see photos of the area where these events take place, because after reading about canyon after canyon, my imagination starts getting a bit dulled as to what all that really looks like. Now I have a better grasp of the terrain Milo was contending with.

I don't believe that Louis L'Amour wrote anything worth less than 3 stars and very few worth less than 4. This is a story about a different sort of cattle rustling. Several of the characters are different than you usually encounter in a western, especially a L'Amour western. The ranch owner is blind, his daughter is mean and nasty (and L'Amour usually made women characters good, unless were the out and out villain), another woman is a mystery, and everyone's being fooled at once. But Milo Talon doesn't stay fooled long. After all, his mother was a Sackett, and Sackett's are hard to fool. It's got enough action and it's believable enough to make a good story. But then, that's what L'Amour did best; tell stories.

Milo Talon has great potential as an interesting character but his character doesn't fit the plot. The story rambles, is disconnected, too little action. The next story of Milo, called Milo Talon, is worse. I kept wishing he would go home to Colorado, reconnect with interesting mom and interesting brother but nope. Just wanders around with unclear purpose. Skip them both. Did L'Amour actually write Milo's stories? There are good ideas here but poorly pulled together.

This story is very entertaining,and the plot is well developed. I was very interested to see what happens next to the maine characters. There was a great connection between the father and son that was a complete surprise.

Louis L'Amour is a good writer, who's books are predictable and fun to read. If you want unexpected plot twists and bad guys to be heros pick another author.

Once again Louis L'Amour did not disappoint. This was a fun book to read. The hero was not a hero in that he didn't want to be called a Hero. But he did save the day. And gain a friend, not the girl. This was a Good western story. And I loved it. Every word. You will too. He rescued the Cows!

L'Amour tells an enjoyable tale and does it with authenticity. He develops each character, not just his protagonist. I always learn things about the West and about human nature each and every time I read L'Amour. Milo Talon epitomizes that long, lost generation of men who loved freedom and valued who he was rather than "what" he could buy or own. Truly a great stroll down our past that causes us to stop and think of just how much we may have regressed.

Lamour western novels are great reading and a good value

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Rabu, 26 Maret 2014

Ebook Download Little: A Novel, by Edward Carey

Ebook Download Little: A Novel, by Edward Carey

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Little: A Novel, by Edward Carey


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Little: A Novel, by Edward Carey

Review

Praise for Little and Edward Carey  “[A] marvelous, weird, and vividly imagined new novel. .  . A fantastic winter tale, a big, patient read full of reversals of fortune and fabulous glimpses of a time not unlike our own when a new technology of likeness brought the giants of media and politics closer than ever, with its promises of a kind of immortality. Subtly, without calling attention to it, Carey has woven a beautiful parable about the power of that proximity. How we rage to bring the world above and around us down to our size, and yet when we do, the big questions remain: How and who to love? How to be decent? How to be fair?” —Boston Globe“I marvel at the achievement of this book. . . . It's about humans, and bodies, and art, and loneliness. . . . I could talk about it forever.” —NPR“Carey devises a dazzlingly detailed portrait of Paris on the brink of revolution and includes his own haunting illustrations...Reminiscent of Dickens, Defoe and Fielding, Little speaks eloquently of the pleasures and perils of art, commerce and identity.” —San Francisco Chronicle“A wonderfully empathetic and stirring narrator, Carey conjures up a tumultuous world you’ll be sorry to leave.” —People“A delightfully strange portrait of a young orphan honing her eccentric craft amid the tumult of the French Revolution. Carey’s flair for macabre whimsy has drawn comparisons to Tim Burton (take a look at the illustrations and you can see why). While death haunts this story, between vibrant characters and riveting historical detail, Little is a novel that teems with life.” —Time “Marie’s story . . . is a fascinating thing in itself. But Carey’s talent makes her journey a thing of wonder.” —Danielle Trussoni, New York Times Book Review  “[A] sweeping, Dickensian reimagining of the true story of Marie Grosholtz, the French orphan born in the 18th century who would go on to become iconic wax sculptress Madame Tussaud. Reader, you will just melt.” – Entertainment Weekly “Must List” “This is a book so...vibrant with delight in language that it's difficult to do it justice. Suffice it to say that Carey, in the disarmingly engaging voice of his heroine, can make even a list of wax-working tools seem charmed.”—Minneapolis Star-Tribune“A dark, fascinating, and peculiar story about art and class before and after the French Revolution.” —Real Simple“Little is quirky, eccentric, offbeat, Gothic and all the other descriptives fondly applied to Carey's peculiarly elegant prose… Thanks to Edward Carey's gift for celebrating the bizarre, Madame Tussaud's story is at last in the right hands.” —Dallas Morning News“This curiosity-filled novel about the life of Madame Tussaud is enlivened with old-timey illustrations by Carey himself... A must-read for anyone who’s ever visited Madame Tussauds wax museum in London or any of its other 20 outposts around the world.” —National Geographic“Edward Carey writes wonderfully weird books about wonderfully weird things. This one imagines the life of Madame Tussaud—of wax museum fame—as a little girl. It’s a hefty historical novel that promises to be a pageturner, too.” —Celeste Ng“[A] rich, engrossing novel . . . visceral, vivid and moving.”—The Guardian (UK)    “One of the most original historical novels of the year. . . . Macabre, funny, touching and oddly life-affirming, Little is a remarkable achievement.” —The Times (London)“An irresistible tale, Little will please all readers, especially those who love period adventures and old-fashioned stories of triumph over human folly.” —BookPage (Top Pick) “This is a rare gem of a book, lacking absolutely nothing. Beautifully written, fully realized and truly engrossing, Little can be read again and again.” —BookBrowse“Dark and delightful, playful and peculiar, Little is Edward Carey's absorbing, fictional re-creation of Madame Tussaud's early life… Carey's spirited style brings a lightness to Marie's bleak days and a whimsy to her brighter ones. He blends dark humor with a puckish tone for a story that's simply magnetic… Little is big in many ways: creativity, energy, concept and character. Leave plenty of room in your heart for this one; you'll need it.” —Shelf Awareness“A startlingly original novel.” —The Times of London, Book of the Month  “Completely, wickedly, addictive. . . . Variously nightmarish, dreamy, sensual, emotionally affecting, and very funny.”  —The Big Issue (UK) “A wildly creative reimagining of the work and life of an artist more associated with George Clooney than Maximilien Robespierre. Admirers of Gregory Maguire will be delighted.” –Library Journal (starred)“Carey channels the ghosts of Charles Dickens, Henry Fielding, and the Brothers Grimm to tell Marie's tale, populating it with grotesques and horrors worthy of Madame Tussaud's celebrated wax museum… A quirky, compelling story that deepens into a meditation on mortality and art.” —Kirkus Reviews (starred)“There is nothing ordinary about this book, in which everything animate and inanimate lives, breathes, and remembers. Carey, with sumptuous turns of phrase, fashions a fantastical world that churns with vitality, especially his “Little,” a female Candide at once surreal and full of heart.”  —Publisher's Weekly (starred)“An immensely creative epic…Mingling a sense of playfulness with macabre history, Carey depicts the excesses of wealth and violence during the French Revolution through the eyes of a talented woman who lived through it and survived…The unique perspective, witty narrative voice, and clever illustrations make for an irresistible read.” —Booklist (starred)“Don’t miss this eccentric charmer! Little, by Edward Carey, narrated by Madame Tussaud of waxworks fame, [on] her strange life and times, including the almost fatal French Revolution, a prime season for heads.” —Margaret Atwood, on Twitter   “Little is bawdy, tragic, mesmerizing, hilarious. If you’ve forgotten why you’d even read a novel, Edward Carey is here to set you straight.” —Alexander Chee   “Little is exquisitely sensitive to all the warmth, vigor, humor, woe, and peculiarities of human nature, as if the writer had a dowsing rod capable of divining what hides within the human heart. Carey is without peer.” —Kelly Link “A deliciously disturbing treasure of a novel. Sensual, unassumingly poignant, heartbreaking, cruel, joyous: Edward Carey’s Little is a triumph and one of the most intoxicating novels I’ve read. I never wanted to leave Marie’s side.” —Sarah Schmidt“An amazing achievement…A compulsively readable novel, so canny and weird and surfeited with the reality of human capacity and ingenuity that I am stymied for comparison. Dickens and David Lynch? Defoe meets Margaret Atwood? Judge for yourself.”—Gregory Maguire, New York Times bestselling author of Wicked

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About the Author

Edward Carey is a novelist, visual artist, and playwright. His acclaimed YA series, the Iremonger Trilogy, was a fan favorite, with citations for Best Books of the Year by The New York Times, NPR, and Kirkus Reviews. Carey is also the author of two adult novels, Observatory Mansions and Alva & Irva. Born in England, he now teaches at the University of Texas in Austin, where he lives with his wife, the author Elizabeth McCracken, and their family.

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Product details

Hardcover: 448 pages

Publisher: Riverhead Books (October 23, 2018)

Language: English

ISBN-10: 0525534326

ISBN-13: 978-0525534327

Product Dimensions:

6.3 x 1.3 x 9.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

53 customer reviews

Amazon Best Sellers Rank:

#38,918 in Books (See Top 100 in Books)

What an entertaining, imaginative novel! Carey's narrator/protagonist is Marie Grosholtz,better known today as Madame Toussaud. The story begins as Marie, an unattractive, tiny seven-year old who loves to draw, describes her parents. Marie embellishes the pages of her tale with pencil drawings: when she describes her mother's large nose (which Marie inherited) and her father's upwards-thrust jaw (which she also inherited), she draws these body parts in the margins. Little Marie has two treasured belongings: a faceless doll that her mother made and her father's silver jawbone (a soldier, he lost the original in a battle). When double tragedies befall the family, Marie becomes apprenticed to Dr. Curtius, a reclusive anatomist whose job it is to make wax replicas of human organs for the local hospital's training purposes. Together, they begin the business of taking wax impressions of heads. As things prosper, they are convinced that they must move to Paris, where famous heads are more plentiful. The two take lodging with a tailor's widow and her odd (perhaps autistic) son. When the business prospers, they purchase The Monkey House, the former site of a simian exhibition, and it soon becomes the rage for the rich, famous, and powerful to have their heads cast in wax.This is only the beginning, but I don't want to give too much away. [Little] (the derogatory nickname she is given by the widow) is not only a fictional biography of Marie, it is her first-person account of the court of Louis XVI and of the French Revolution--and a fascinating account it is. From Versailles to the streets of Paris to prison, Marie takes us along on a journey that is both glorious and harrowing, and her encounters with a wide cast of characters, from a feral boy to the king himself to Napoleon, opening a window onto the Reign of Terror and beyond. Throughout, her account is accompanied by her marginal drawings, making it all the more believable that this is Marie's own journal. However great the events and personages, we never forget that this is, indeed, her story.Carey has given his protagonist a unique viewpoint into history and a compelling voice. I loved Marie, and I loved her story of hardships, successes, and survival. I will definitely be looking for other works by this author.

This is a literary novel ,quite well written , and recreate the time before and during the Reign of Terror. Little is the nick name of Marie who grows up to be the famous Madam Toussard. Orphaned as a young child, Marie becomes the ward/ assistant/ servant to her deceased mother’s employer, Doctor Curtius an anatomist and artist of wax medical samples. The pair moved to Paris from Bern . Littles strange childhood from poverty to the Royal Palace, and the French Revolution, where she nearly ended on the guillotine. We are introduced to historic characters that the Author has breathed life into. As fascinating as her Waxwork museums are, her life is even more fascinating.

Very interesting and informative book. Often as I read more chapters I found the book hard to put down. However sometimes the author does an information dump. Those chapters gave me pause, as to whether or not to continue reading. In the end, interest in hearing Marie's story carried me past the information overload.

I don’t think I’m read such a fascinating book in a long while. It tells the tale of how Marie Tussaud grew from a girl in a little French village and became the woman who gave us the famous wax work museum.The story is fascinating in itself particularly the time spent in revolutionary paris at the Monkey House… The city comes alive in sight, sounds and smell. It’s a city of bones, the streets each a bone linking the body, head and indeed soul of a city, stinking in its own filth. Marie’s first impression of the city are raw and visceral. How she sees the world….you are definitely going to want to see her view of Paris, its veins, its underground sewers and the meshing up of souls and death. It’s a dark, chilling world but I couldn’t take my eyes off the pages, nor could I stop looking at the gruesome sketches which pepper the text. They’re very graphic and gory but brilliantly evoke the rawness of the words they accompany.Then it’s the splendour of Versailles where she sees the wealth and splendour of the city. It’s interesting that the war is ravaging the city outside, whilst those within these walls feel protected. This contrast will later prove to be the soul of Madame Tussaud’s museum.Words can not do this novel justice, which is odd given that it’s the words in the novel which make this amazing story even more of a treat. I loved everything about it. It’s impressively written, the sketches are stunning and the way the entire books sucks you in to a grim gothic world is nothing like I’ve ever experienced before. I didn’t just read this book, I experienced it.Brilliant. Highly recommended

I love this book I just can't put it down. I have always been enthralled with Madame Toussard's wax museum and all the famous historical people she did. I can't put this book down. I am just enthralled with this book. What a hypnotic captivating read.

There’s books and then there’s literature. This is literature.

I have seen her waxworks, and vaguely knew the history of Madame Tussaud , but never looked deeper into the story of this remarkable woman. Mr. Carey's incredible novel mixes history with an imagined first person telling of the life and times of this most famous of artists. Not to be missed.

While the book was generally interesting, the the first person narrative style made it very hard to read. I tend toward historical fiction because I enjoy learning about different times, places, and people In their historical context. In this case I learned far too much about Trausand’s mind and thoughts, (save me the repetition and minute detail!!!), and not quite enough about Paris and the French revolution. An interesting story, boring toward the end. Though I am glad I finished the book, I will probably not remember much, nor recommend it to friends.

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Sabtu, 08 Februari 2014

Download PDF Hudson

Download PDF Hudson

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Hudson

Hudson


Hudson


Download PDF Hudson

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Hudson

From School Library Journal

Gr 3-6–In Weaver's take on this oft-celebrated explorer, Hudson is portrayed as merely a human being, with positive and negative characteristics; his dogged determination to find a water passage to Asia, despite constant failure, is both admirable and quixotic. The author gives enough detail to bring the story to life without overloading children with information, a downfall all too common in other books about Hudson. She emphasizes the bits of the story with the most kid appeal–harsh living conditions on the ships, battles with Native Americans, and the mutinous crew that eventually abandoned Hudson and his supporters. This book is also visually engaging: Craig's original, full-page paintings are vibrantly hued, and the print is well laid out on white or pale earth-toned pages. The most similar book, Jean Elizabeth Goodman's Beyond the Sea of Ice: The Voyages of Henry Hudson (Mikaya, 1999), has more content but an excruciatingly unreadable font and layout. Where it excels is with its simple but adequately labeled foldout map, with which readers can follow Hudson's expeditions; the only map in Hudson is in the front of the book and only the continents are labeled. Its compelling text and beautiful paintings still make for a good read, but the lack of a practical map dulls its shine.Rebecca Dash, New York Public Library© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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From Booklist

*Starred Review* Failure is not usually at the heart of an exciting adventure story, but this dramatic picture-book biography about Henry Hudson, who discovered neither the new land nor the passage to Asia he sought, makes the explorer's lack of success a gripping read. The text even states that Hudson was at least partly to blame for all the trouble on his ships, which led his crew to mutiny and set him adrift, never to be seen again. At the same time, Weaver emphasizes that in pushing through the strait and into the great bay that both now bear his name, Hudson helped draw the map of North America and advanced our understanding of the world. Throughout, Weaver is clear about what is fact and what is supposition, and the tumultuous early-seventeenth-century history is meticulously documented, while text boxes discuss related subjects such as scurvy, the whaling industry, the struggle to find a quicker route to the riches of the Far East, and Hudson's journal accounts of his mainly friendly encounters with Native Americans. Craig's glowing period portraits, landscapes, and watercolors of the ship in dangerous seas intensify the drama, and archival prints and maps add interest. An appended reference section leads to accessible online resources for students who want to dive further into the explorer's life story. Grades 3-6. --Hazel Rochman

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 7

Hardcover: 48 pages

Publisher: Tundra Books; Complete Numbers Starting with 1, 1st Ed edition (September 14, 2010)

Language: English

ISBN-10: 0887768148

ISBN-13: 978-0887768149

Product Dimensions:

8.4 x 0.3 x 10.3 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#982,258 in Books (See Top 100 in Books)

Hudson written by Janice Weaver and illustrated by David Craig provides an excellent introduction to the life of Henry Hudson.This beautifully illustrated book provides factual information about Hudson's life in an interesting way. The combination of photographs of artifacts, era paintings, historical maps, and new illustrations by David Craig add depth the visual aspects of the book.Hudson's story is told chronologically through a series of short, focused chapters. The author is careful to point out that little factual information is known about his life, so the narrative focuses on those elements that have been established through history.I was particularly drawn to information that's often overlooked in books for young people. Half and whole page informational boxes woven throughout the book provide insights into the time period, tools, or other interesting background content. For instance, the author explains that we really don't know what the explorer looked like because the paintings of him were created by people who never met him.Long sentences and some complex language may limit the appeal of the book for younger researchers. However middle grade students investigating explorers will find the text very useful for projects.Pages about historical sites and monuments, suggestions for additional reading, and a useful index are found at the end of the book.Overall, Hudson is an excellent example of quality writing for young people.

Janice Weaver's "Hudson" is an interesting and quick paced history of the explorer that is really reader-friendly.She immediately grabbed my attention by her lively prose and the fact the she didn't waste my time boring me with dates, but instead focused upon those things that students of history, or beginning history readers, are going to find interesting. Things like scurvy, rebellion, scheming, starving, being shot through the neck with an arrow, and jail time.Since I was trained as an historian I can be pretty critical as to how material is handled, but I've got no complaints here. The author doesn't just pretend that we know everything there is to know about Hudson, the way some textbooks do. Instead she explains to the reader that there are large gaps in Hudson's timeline, and that we don't even know what he looks like.At the end Ms. Weaver further endeared herself to me by suggesting that young readers look to the primary sources of Hudson's time -- like Hudson's and Juet's logs -- rather than other textbooks. This is the only way, in my opinion, to ever grow a love of the study of history.THE SKINNY:::"Hudson" is a beautiful book. The cover is especially nice as it has full color images just like the jacket, instead of being just plain with a title. The jacket is really cool in that there's an excellent map of Hudson's voyages on the inside.Ms. Weaver presents a quick, but thorough mini-history of Hudson that focuses on the important aspects of his journeys and the reasons for them, rather than boring old dates. She does a good job of making the dangers and discomfort of those early sea voyages come alive.I like that there are breakouts in this book which discuss side-issues like scurvy, whaling, and mermaids.The approach is kid-friendly and would be suitable for history classes or anyone interested in Hudson.The Reading Level is 4.0 or at the entering Fourth Grade level.Pam T!booksforkids-reviews

I gave this book first to my 9 year old, and she devoured it, rating it a 7 out of 10 (since she mainly likes fantasy fiction, that's a pretty good rating for a nonfiction book). I have to say I was pleased to receive it, as there is a mystifying dearth of good books on this subject for this age group. Hudson's story is fascinating, and well-told in the book, along with informative sidebars and attractive illustrations, though I must say that at times the relationship between the illustrations and the nearby text was a little hard to discern. Definitely a valuable book for the 8-12 age group.

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