Minggu, 30 September 2012

Free Download The Fall of the Ottomans: The Great War in the Middle East

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The Fall of the Ottomans: The Great War in the Middle East


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The Fall of the Ottomans: The Great War in the Middle East

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A really nice read on the end of the Ottoman Empire. Very readable for someone not as familiar.

This is a very well written and good book on the topic. However, it is primarily a political study of the fall of the Ottoman Empire in World War I. It is not so much a military study.The author, who teaches at Oxford, has looked at the Ottoman Empire and how it handled World War One. He works in Turkish and Arabic. There are many individual vignettes from individuals at ALL levels of society, from political policy carried on at the highest levels, to the various campaigns and the fighting that resulted. It is well-illustrated volume but includes only a handful of strategic maps of the Empire’s battlefields.The political history is excellent. The author has a firm grasp of the Young Turk movement, the JIHAD aspect of the Turkish war effort and the impact of the Arab on the Turk (and vice-versa). His discussion of the Armenian genocide is balanced and accurate and unlike many studies, does NOT ignore the brutal killing of thousands of Assyrians. An entire chapter is devoted to this and will inhibit sales in Turkey!But it is not so much a military study. The German battlecruiser GOEBEN & British battlecruiser INFLEXIBLE become battleships. The small old French battleship REQUIN becomes a cruiser, HMS AMETHYST becomes French (p137) and Ottoman losses are often based on old Allied accounts. German Admiral Souchon is mentioned once in the book, ignoring his large impact in the Black Sea. Edward Erickson’s I ORDER YOU TO DIE is in the bibliography but seemingly not consulted in some of the areas covered in the book. The Turkish Official military studies appear to be completely missing as well.The author does NOT note that after the Allied naval assault at the Dardanelles, in which they suffered major losses, the Turks were virtually out of artillery ammunition. One of the major postwar hindsight laments was that a second naval assault was not quickly made. The Allied losses could easily be made up while the resupply of vital ammunition was difficult in the extreme.This is a very good book, worth the read, much from the Turkish and Arab point of view. Definitive – no. Would a definitive study be longer – yes (and hence probably not published . . . )

Having read quite a few books this past year on World War I and Scott Anderson's excellent book on Lawrence of Arabia, this book offered a chance to read through many events, but from the Ottoman perspective. As the author mentions, he visited Gallipoli and realized that the Turkish losses at that epic battle are not widely known.Thus, the roots of the author's efforts to address this neglected area of history. The book is very well-written and gives a wide lens to the beginning of the end of the Ottoman Empire through the War itself. Some of the events described herein are pretty well-known, but otherwise I was blown away by how much I had no clue had really taken place. Examples include the Balkan Wars and the Ottoman effort against Italy in 1912-1913. These events influenced later decisions from both the Ottoman and Allied perspective and are well integrated.This is a well-written and easily read history. I found myself many times considering events from an alternate view of the dissolution of the Ottoman Empire and reading about battles only heard of from the perspective of the victor. This is not juts about Turkish losses, but of Arabs, Armenians, Greeks and others. Even though I am pretty knowledgeable about World War I history, there were many events I had really never heard of before. Even seeing many pictures of Ottoman soldiers in battle was revelatory and unexpected. The First World War was in many ways more cataclysmic than WWII in terms of the changes in the world and this book is a great expository on how that happened.This is an important book and well worthwhile to read for the general reader interested in the subject as well as the academic or policy specialist looking for more information to add to the body of knowledge of even present day Eastern Europe and the Near East.This book is recommended. An excellent companion book is by David Fromkin, A Peace to End All Peace, to read after this book.

I have read a lot of history lately following a visit to Venice. That visit pricked my interest with regard to how such a small island could become so powerful economically and militarily. That of course led me onto discovering the fight between the Ottoman Empire and Venice for control of the Mediterranean Sea. I then backtracked some 400 years to read about the beginning of the Ottoman Empire, the fall of Constantinople and followed the story in various history books through to the Fall of the Ottomans. This particular book clarified for me how the mess that is now the middle east was created. What a different world we might live in today if England, France and Russia eventually aided by USA had let the Ottomans join the Western Powers against Germany rather than leaving them no option to try to secure their own future by siding with Germany in WW1. The subsequent division of the middle east without consideration to various demographic issues into new countries is resonating still and will for many more years.I found the book well written and also gained great insight into why the Dardanelles became a graveyard for so many brave men on both sides and why the campaign was doomed from the beginning.

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Jumat, 21 September 2012

Download The Silk Roads: A New History of the World, by Peter Frankopan

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“This provocative history challenges the view of the West as heir to a pure Greco-Roman culture. For Frankopan, the brutish West owes its more enlightened traditions to the lands east of Italy and west of China, which were, for centuries, 'the centre of the world'… Frankopan marshals diverse examples to demonstrate the interconnectedness of cultures, showing in vivid detail the economic and social impact of the silk and the slave trades, the Black Death, and the Buddhist influence on Christianity.” —The New Yorker   “In his new book, The Silk Roads, Frankopan has created something that forces us to sit up and reconsider the world and the way we've always thought about it… The book takes us by surprise right from the start.” —Nishant Dahiya, NPR “This is deeply researched popular history at its most invigorating, primed to dislodge routine preconceptions and to pour in other light. The freshness of… Frankopan’s sources is stimulating, and their sheer range can provoke surprising connections. He likes to administer passing electric shocks… The sheer abundance of Frankopan’s information can become an omnivorous pleasure, and its details add color and particularity to his text… He plunders data magnificently... A brave, subtly personal project of inspiring ambition and epic scope.” —Colin Thubron, New York Review of Books “Peter Frankopan… [is a] brilliant and fearlessly wide-ranging young Oxford historian… Frankopan marches briskly through the centuries, disguising his erudition with an enviable lightness of touch, enlivening his narrative with a beautifully constructed web of anecdotes and insights, backed up by an impressively wide-ranging scholarly apparatus of footnotes drawing on works in multiple languages... This is history on a grand scale, with a sweep and ambition that is rare… A remarkable book on many levels, a proper historical epic of dazzling range and achievement.”—William Dalrymple, The Guardian “One of Mr. Frankopan’s gifts as a storyteller is his ability to draw unusual connections across his vast canvas… [he] packs his tale with fascinating trivia… Frankopan has written a rare book that makes you question your assumptions about the world.” —Sadanand Dhume, The Wall Street Journal“Frankopan casts his net widely in this work of dizzying breadth and ambition… Those opening to any page will find fascinating insights that illuminate elusive connections across time and place…  Frankopan approaches his craft with an acerbic wit, and his epochal perspective throws the foibles of the modern age into sharp relief” —Publishers Weekly (starred review)  “A glorious read. The author, the prodigious director of Oxford University’s Centre for Byzantine Research, weaves into his narrative astonishing facts…Frankopan is an exhilarating companion for the journey along the routes which conveyed silk, slaves, ideas, religion, and disease, and around which today may hang the destiny of the world.” —Henry Porter, Vanity Fair.“In his new book, The Silk Roads, Frankopan has created something that forces us to sit up and reconsider the world and the way we've always thought about it… The book takes us by surprise right from the start.” —Nishant Dahiya, NPR “Superb… Peter Frankopan is an exceptional storyteller… The lands of the Silk Roads are of renewed importance, and Frankopan’s book will be indispensable to anyone who wants to make sense of this union of past and present.”—Philip Seib, The Dallas Morning News“Dazzlingly good ... [Frankopan blends] deep scholarly skill with a real literary talent” —Dan Jones, Evening Standard (U.K.) “A sweeping, fascinating chronicle of world history focused on trade—in silk, spices, furs, gold, silver, slaves, and religion—in a vast region from the Mediterranean's eastern shores to the Himalayas… Frankopan weaves together his many narrative strands with verve and impressive scholarship. A vastly rich historical tapestry that puts ongoing struggles in a new perspective.”—Kirkus (starred review) "The author's gift for vividness is reminiscent of Jan Morris, while his command of revealing facts or fancies is not far short of Gibbon's." —Felipe Fernández Armesto, Literary Review (U.K.) “A very well-written and wide-ranging study, founded on reading of staggering breadth and depth... Strikingly up to date. The author has used the most recent scholarship to impressive effect... And he is evidently constantly rethinking in the light of new scholarship... The book is full of fascinating insights... No one could read it without learning a great deal, or without having their conception of the course of history radically challenged.” —The Times Literary Supplement (U.K.)“Beautifully constructed, a terrific and exhilarating read and a new perspective on world history.” —Averil Cameron, History Today“This is, to put it mildly, an ambitious book… By spinning all these stories into a single thread, Peter Frankopan attempts something bold: A history of the world that shunts the centre of gravity eastward… Mr. Frankopan writes with clarity and memorable detail… Where other histories put the Mediterranean at the centre of the story, under Mr. Frankopan it is important as the western end of a transcontinental trade with Asia in silks, spices, slaves—and ideas.”—The Economist “The Silk Roads, which covers several continents and many centuries, is based on astonishingly wide and deep reading and in all areas draws on the latest research… It is full of vivid and recondite details.”—Robert Irwin, The Independent (U.K) “Why are we driven, physically, intellectually and emotionally, to reach out beyond the horizon toward the unknown; to explore, connect and communicate? That query motivate Peter Frankopan’s splendid study… Throughout he relies on economic analysis…Recognizing that the fringes of the cloth are as interesting as its fabric, Frankopan also spins off on to the threads of social history…Underlying the tightly researched history is a grander human truth. As a species, we are motivated by stories… This invigorating and profound book has enough storytelling to excite the reader and enough fresh scholarship to satisfy the intellect… Charismatic and essential.” —Bettany Hughes, The Daily Telegraph (U.K) “Timely... It deserves a place by the library fireplace.”—Country Life (U.K.)“What does history look like if we shift our focus eastward and give due prominence to those who traversed the Silk Roads? This is the question Frankopan answers in this immensely entertaining work. Many books have been written which claim to be “A New History of the World”. This one fully deserves the title… So ambitious, so detailed and so fascinating… The Silk Roads demonstrates why studying history is so important.”—Gerard DeGroot, The Times (U.K.) “Book of the Week”“It’s time we recognized the importance of the East to our history, insists this magnificent study… The breadth and ambition of this swashbuckling history by Peter Frankopan should come as no surprise… A book that roves as widely as the geography it describes, encompassing worlds as far removed as those of Herodotus and Saddam Hussein, Hammurabi and Hitler… It is a tribute to Frankopan’s scholarship and mastery of sources in multiple languages that he is as sure-footed on the ancient world as he is on the medieval and modern… Deftly constructed… The Silk Roads is a powerful corrective to parochialism.”—Justin Marozzi, The Sunday Times (U.K.)  “An exhilarating tour of 2,000 years of history… There is plenty of bang for your buck as you journey through The Silk Roads. Frankopan upends the usual world-history narrative oriented around ancient Rome and Greece and the irrepressible rise of Europe… In a series of brisk chapters—The Road of Faiths, The Road of Furs and so on—studded with state-of-the-art research that is sourced from at least a dozen languages, the author brings wondrous history to vivid life… In The Silk Roads, Peter Frankopan has provided a bracing wake up call.” —Matthew Price, The National (AE) 

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About the Author

PETER FRANKOPAN is a historian based at Oxford University. He is the author of The First Crusade: The Call from the East, a major monograph about Byzantium, Islam and the West in the eleventh and twelfth centuries. He is a senior research fellow at Worcester College, Oxford, and the director of the Oxford Centre for Byzantine Research at Oxford University. His revised translation of The Alexiad was published in the United States in 2009.

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Product details

Hardcover: 672 pages

Publisher: Knopf (February 16, 2016)

Language: English

ISBN-10: 1101946326

ISBN-13: 978-1101946329

Product Dimensions:

6.5 x 1.7 x 9.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

479 customer reviews

Amazon Best Sellers Rank:

#371,670 in Books (See Top 100 in Books)

Author Peter Frankopan sets out, mostly successfully, to reorient our knowledge of history as taught in Europe and North America — history as viewed through the lens of Western Civilization courses. My quibble is that this is still a view of Central Asia though European eyes, and arguably the author pays slight attention to the history of ancient India and China and overplays the history of Central Asia and Western misconceptions of the Mongols.Frankopan’s main thesis is that the region stretching from the Mediterranean to China, and particularly the region that is now Iraq, Iran, and Afghanistan, remains the crossroads of civilization and the center of global affairs. As such, we need to understand ancient history and historical development over more recent centuries, as well as the way history is perceived by those in the region.The book proceeds chronologically. Chapter headings trace the many “silk roads” that have influenced global history, including the emergence and migration of major forms of religious faith, the rise and fall of empires at a time when Europe was an uncivilized backwater, and the role of trade as a conduit for the spread of ideas and wealth.We learn, for example, that the early expansion of Islam was benign. Often the major religions coexisted peacefully. Mohammed and the Jews needed each other as both repudiated Jesus as the Messiah. In Damascus, churches were untouched even as Islam became the religion of the majority. Only after divisions began to develop in Islam did attitudes harden toward other religions, says the author.Western Europe in the 600s and 700s was barbaric, while Baghdad was at the height of its wealth and academic achievement. Thus, traders and intellectuals along the Mediterranean were oriented toward the East, not Western Europe. Among conventional beliefs that Frankopan seeks to puncture is the notion that the Mongols were chaotic. Instead he says they were good bureaucrats and operated as a meritocracy. Terror was applied selectively but was broadcast broadly as a tool of coercion. The result was to control wealthy territories with a minimum of effort.As Elizabethan England competed with Spain, says the author, there was an opportunistic alliance with the Muslim world against a common enemy. Both the English and the Moors engaged in piracy against the Spanish and Portuguese. The English freed Muslims who had been “galley slaves” and returned them home, and had Muslim support for the 1596 attack on Cadiz. Shakespeare portrays positively the Moor in Othello and Persia was also characterized favorably in English literature of the time.By the late 18th and early 19th Century, however, the power relationship between rising Western European powers and Persia and neighboring countries had been reversed. India became a crown jewel in the British Empire and the British became preoccupied with fear of Russian expansion into Persia. Misunderstandings were rife. “The British cannot say what they mean and the Persians do not mean what they say,” noted one observer.In the aftermath of World War I, the British created Iraq out of Mesopotamia, arbitrarily combining a hodgepodge of nationalities. As oil was discovered in Iraq and Iran, the British moved quickly to exploit these resources and minimize the royalties that were paid to the nations from which oil was extracted. Dissatisfaction with British oil companies resulted in a greater role for American oil companies, but the exploitation of the region changed little until OPEC was formed.The final 40% of the book is devoted to British and American ignorance and arrogance in the 20th and 21st Centuries, resulting in the support of the Shah in Iran, Saddam Hussein in Iraq, and Ayub Khan in Pakistan among others. Frankopan characterizes British, then American strategy as “solving today’s problems without worrying too much about tomorrow’s problems.”This is useful background for anyone trying to understand the resentment felt in Iraq and Iran toward the West today.As Frankopan looks forward, there is little analysis of the potential role of China in the balance of power that could shape the region’s future or of India whose population and economy are among the world’s largest and fastest-growing.Instead, with an emphasis on what was once known as Mesopotamia, the author asserts that, “the Silk Roads are rising up once more.” Events that appear chaotic instead are the “birthing pains of a region that once dominated the intellectual, cultural and economic landscape of the world…We are seeing the signs of the world’s centre of gravity shifting — back to where it lay for millennia.” This seems an optimistic analysis.In sum, the value for many readers will be found in the first half of the book, as a balance to the history taught in the West. The resentments held in the region toward American and British influence are the result not just of recent decades but of exploitation taking place in the past 100 years. Oddly, though, the author’s contemporary assessment of the region seems viewed through the same Western lens that he criticizes as having warped our understanding of the past.

I was very disappointed after reading all the wonderful reviews. Maybe they are reading a different book? I had assumed we would be learning about the history of the silk roads and the many dynasties that rose and fell along the route - the Songdians, the cities of the Tamir Basin for example. I thought this would be an Asian centric book showing the silk roads impact on Han Dynasty China and the steps that had to be taken to keep the route secure. I thought we would learn of the earliest use of the silk road in trade between Sumeria and what is now northern Afganistan based on the early trade in Lapis and how this led to the later creation of Faience. Or perhaps how the silk road brought Buddhism to the west and mixed the artistic sense of the descendants of Alexander's army with the Central Asian Buddhist cave dwellers. I was very wrong in my expectations.Maybe I am missing something but this is still a Western-centric view, centered on Byzantium and medieval Europe. The first steppe dwellers we meet in any depth are the Mongols, who by that time, are a thousand years later than the early steppe dwellers who so profoundly influenced world culture both East and West. This book spends most of it's time in detailing the trade and fortunes of the West instead of focusing on the various kingdoms of the silk road. What is going on here? How could all the reviewers have missed this? This book is not as advertised a new history of the world, but rather a view of the economic impact of trade on the western world. For example, how does Columbus come to bear on the silk road? We read here about his expedition but no analysis relating to the silk road at all. That is one of many examples to show that the author does not seem to have much interest in writing about the silk road, but rather about how luxury good trade impacts the western world.This is my first book review although I have read dozens that I may not like. I am only writing this because it is not that I do not like what is written, but rather it is not what the book title implies and I want to give fair warning to others who may be like me in their interests.

“The Silk Roads” is a wonderful invigorating work of history. It is directed to the general reader rather than the specialist. I found it be absolutely riveting.The essence of the book is that, in the West, our history is viewed through a very narrow lense. Schools teach its students of the Roman Empire, the subsequent Dark Ages, the Norman conquest in 1066, Henry VIII and the Tudors, the American War of Independence, the Industrial Revolution and the First and Second World Wars. The vast bulk of a map of the world from western Europe to China is passed over very quickly. With “The Silk Roads”, Peter Frankopan has attempted to redress this imbalance.As the author states:“For centuries before the early modern era, the intellectual centres of excellence of the world, the Oxfords ad Cambridges, the Harvards and Yales, were not located in Europe or the west, but in Baghdad, and Balkh, Bukhara and Samarkand”.Moreover, Frankopan gives the reader a perspective on the rise of Mesopotamia, Alexander the Great, the rise of Christianity in the eastern Roman Empire and then the subsequent rise of Islam throughout much of Asia. He then proceeds to discuss the Crusades, the rise of Genghis Khan and his mighty Mongol Empire and then the rise of China more specifically. He concludes by bringing the book up to the present day with the rise of Europe and the USA before suggesting that there is a reorienting of history underway again. In other words:“we are witnessing…the birthing pains of a region that once dominated the intellectual, cultural and economic landscape and which is now re-emerging. We are seeing the signs of the world’s centre of gravity shifting – back to where it lay for millennia”.Whether you agree or not with Peter Frankopan’s conclusions, the book remains a tour-de-force. Thoroughly recommended.

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Senin, 10 September 2012

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Audible Audiobook

Listening Length: 8 hours and 57 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: JustJoshin Publishing, Inc.

Audible.com Release Date: September 20, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B075QQ1B7H

Amazon Best Sellers Rank:

Update!!!I found this on Josh's blog:Thursday, May 25, 2017New Release - THE MONET MURDERS (Art of Murder Book II)So, remember when I mentioned falling off a mountain (okay, it was just a little mountain, but still) and had to push the release of The Monet Murders back another month because I'd injured my back and was medicated and things were really not going well?Well, I did finally manage to finish the book and it released yesterday. That's the good news. The bad news is, in my panic to get the file uploaded before the deadline, I somehow (see above: two kinds of prescription pain medications were in play) grabbed the wrong damned file. And because I'd already waited to the last minute, there was no way of updating until the book went live.Which it did. Missing about 15,000 words. And necessary words, at that.The correct version is available on Smashwords, Kobo...and shortly Nook and iBooks, but it sounds like it's still going to be another (possibly) 24 hours before the correct edition is live on Amazon. Which means roughly 3000 people got that wrong version.This is embarrassing. I CANNOT APOLOGIZE ENOUGH. I am sincerely sorry. I know how disappointing it is when you've been waiting and waiting and waiting and then the thing you've been waiting for arrives broken in the box.(And, by the way, thank you to those of you who have been so very kind and understanding about the mix-up. My first ever mix-up, I want to point out, in all these years and all those books. )Most of the people who pre-ordered through Amazon will not see this post, or any of my other posts on social media, so...if you should hear someone cursing my name down through the ages, it would be very kind of you to let them know what's happening. If their Kindle account is not set for automatic updates, it's unlikely they'll know to click that Updates Available button.Anyway.BLURB:The last thing Jason West, an ambitious young FBI special agent with the Art Crime Team, wants—or needs—is his uncertain and unacknowledged romantic relationship with irascible legendary Behavioral Analysis Unit Chief Sam Kennedy.And it’s starting to feel like Sam is not thrilled with the idea either.But personal feelings must be put aside when Sam requests Jason’s help to catch a deranged killer targeting wealthy, upscale art collectors. A killer whose calling card is a series of grotesque paintings depicting the murders.The book just ends....there's no solving the murder, there's no resolution at all - except for the MCs (and we all knew that was going to happen. This is like half a book. I feel cheated, like Josh just gave up halfway through.

File error - being correctedIf you purchased this book and downloaded it during the first 48 hours after its release, you should know you have received an improper, incomplete version. The author has been posting warnings about this on social media and working diligently to get the problem corrected.The correct book is a full novel, wirh a complete story, and does not, as other reviews state, leave all the threads dangling! I hope those reviewers will hear about the error, and come back to download, read, and review the full version once it's been corrected.

A lot of people have given this book a low rating because the version they received left out the last four chapters, but appeared to be complete. This resulted in everyone thinking that the book was a mystery that wasn't solved. Ooops! Anyway, it actually was a SNAFU either on the part of Amazon or the author (not sure which) and it has been corrected. If you buy the book now, you should get the correct version, which consists of 24 chapters and ends with the word "excuses."The book itself is very good and I highly recommend it. The characters, as usual with Josh Lanyon, are well created make for a good read. The situations are believable and the mystery compelling. Someone is killing people connected to the art world and leaving paintings behind done in the style of Monet, but really poorly. The trail leads across the country from LA to upstate New York and throw Jason West and Sam Kennedy together for second set of criminal investigations. I think that if you like crime stories, art, and same sex relationships then you're likely to love this novel.

I wish I'd known this was a bridge book between the first and the next one in the series that won't be out until 2018. However, even knowing that I'd probably still have read it. I liked the setup of the mystery and the relationship conflict between Jason and Sam. The only downside is nothing is really resolved by book's end so you're left waiting for the next book in the series.ETA: I saw through social media that the wrong file was uploaded. Even though I have auto updates enabled, the new version didn't download so I contacted customer service who helpfully resolved this issue in less than 2 minutes.In the complete file, there is a much more satisfying conclusion to the main mystery and a more significant development in Sam and Jason's relationship. There are still threads left open for the next book in the series, but this mystery is complete in and of itself.

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The Monet Murders: The Art of Murder, Book 2 PDF

The Monet Murders: The Art of Murder, Book 2 PDF

The Monet Murders: The Art of Murder, Book 2 PDF
The Monet Murders: The Art of Murder, Book 2 PDF