Senin, 29 November 2010

Free PDF , by Brit Bennett

Free PDF , by Brit Bennett

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, by Brit Bennett

, by Brit Bennett


, by Brit Bennett


Free PDF , by Brit Bennett

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, by Brit Bennett

Product details

File Size: 834 KB

Print Length: 286 pages

Page Numbers Source ISBN: 039918452X

Publisher: Riverhead Books (October 11, 2016)

Publication Date: October 11, 2016

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B01BD1SSO4

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Amazon Best Sellers Rank:

#35,472 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I really liked this book the first few chapters. 'The Mothers' as a collective voice was a great way to tell the story. But as the story wore on, it lost consistency, meaning and focus. So much was just left in the air, for example, I needed some sort of hint as to why the mother killed herself and this was a driving force to the story line. Also, characters were introduced, not fleshed out then disappeared serving no purpose to the story whatsoever (Shadi, the white boyfriend, the Marines, the gay sister, even the pastor, etc). Years were skipped over with absolutely nothing discussed and also important conversations were just dropped ('he stormed away, etc. i woke up the next morning... or something like, when I went back in the room... what happened????) Is this a book about abortion (I sorta thought so since it was based around the church and the guy ended up going to abortion counseling for fathers years later (really???), friendship, secrets, what exactly? Finally, the main character was unlikable. A little more time to character and plot development would have made this a 4 star book.

The Mothers: Brit Bennett brings the perfect tone to a near perfect story. The Mothers, is not a novel that I would have picked up to read, out of a list of assorted titles, for leisurely reading. I bought the novel because I had long ago decided to forego reading all of the eight books on the course’s “book list” that a talented local minister will talk about in a course for our “Bigelow Senior Center” this Fall. I have always wanted, not only to take the course in which the Reverend Rowe discusses his readings of the previous year, which, in total, amount to eight titles, but I have always regretted not having made the attempt. Having, once again, decided to take the course, I have chosen to read all eight books listed in the course description, although, it is not necessary to do so. I found The Mothers to be one of my better, summer reads, not only because it reads so true but also because Bennett’s cohesive, sensitive writing held up throughout, so well. It’s true. I would not have read The Mothers had it not been on the Reverend’s list. But I’m very glad I did because Bennett’s telling of the story is so vividly resonant.

So many things to love in this book about love, loss, family, friendship and life. I finished last night yet cannot stop thinking about this story and it's characters. I'm still wondering about them and what will happen to them all as they move forward with their lives where the book leaves off.SYNOPSISThis story is m mostly told from the point of view Nadia, a highly intelligent, determined yet conflicted, complicated young lady and also told from the point of view of a group of "Church Mothers" from a very tight knit church called Upper Room. There are chapters featuring other points if view but it's mostly Nadia and the Mothers.When Nadia Turner is 17 years old she loses her mother. She and her mother were very close so she is completely devastated. Her father, Robert, is so caught up in his own grief that he seems to forget that he's solely response for a 17 year old girl who may be handling her loss in self-destructive ways.To deal his wife's untimely death, Robert turns to the church where the Turner family has always worshipped and his late wife was a very active member. Robert finds a sense of purpose spending his time helping wherever he is needed.Upper Room is more than just a place to spend an hour on Sunday mornings, to its members, it their community. Many members are there daily, considering the church to be their family. The pastor and his family are all but treated like royalty. In fact, the pastor's wife is referred to as 'the first lady.'The "Church Mothers" are the older ladies who have been involved with the church for as long as anyone can remember. They basically devote their lives to taking care of church business; running bake sale etc, praying daily for the members in need and gossiping about members - of course they don't consider it gossip, they think of it as sharing concerns and looking for opportunities to pray for others. Nonetheless, it's gossip.The book opens following Nadia though the rough months right after her mother dies when she forms bonds that will stay with her for the rest of her life and makes a mistake that will also follow her through her life.A lot of very 'real life' drama ensures making it hard to put the book down and hard not to take sides and pick favorites.WHAT I LOVED:I really loved the characters. They were very human and flawed. None were bad but they all made their share of mistakes. The "Church Mothers" were so real to me and probably anyone who grew up entrenched in a church community. They are basically well meaning ladies who set the standards for what is considered acceptable church behavior, church attire and church etiquette. Every Sunday morning across the US, mothers are straightening hair bows, combining down cow licks and reminding children to mind their P;s and Q's, all n an effort to get a nod of approval from these ladies.The story line was relevant, interesting and sucked me right in. It was hard to put it down.I both loved and hated that the ending didn't tie things up in an easy to swallow little package.WHAT I DIDN'T LOVEThere wasn't a lot to not love. I really don't enjoy books where the story line seems out line with reality and where characters do things that seem unbelievable. This book felt very authentic. I guess if I had to complain, it was a little short.

OK book. This could be about any young girls from any race or religion. There were very few chapters written from the point of view of "the mothers." Almost all were from Nadia's view. I didn't come to the same views that reviewers did. I would say that the abortion affected many lives for many years and was the central theme. The book did keep my attention as I wanted to know what would happen to the various characters, but the ending seemed weak and I felt like it needed more detail. My book club read this so I'll be interested in our discussion.

In a small town in California, where the church is a major force, 2 girls, Nadia and Aubrey become best friends. Nadia has lost her mother due to suicide and her father is immersed in his own grief. Aubrey has moved away from her mother and is living with her sister and her partner.Nadia gets involved with the pastor's son Luke and makes a life changing decision which has long term effects. Nadia goes off to college and law school and makes a rare trip home for Aubrey and Luke's wedding and then again when her father is injured in a barbell accident.Many poor decisions are made in this book which have far reaching consequences. The characters and scenarios are very realistic and while this is not an upbeat book, the author totally draws you into the story.

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Senin, 01 November 2010

Ebook Free A History of Gay Literature: The Male Tradition, by Gregory Woods

Ebook Free A History of Gay Literature: The Male Tradition, by Gregory Woods

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A History of Gay Literature: The Male Tradition, by Gregory Woods

A History of Gay Literature: The Male Tradition, by Gregory Woods


A History of Gay Literature: The Male Tradition, by Gregory Woods


Ebook Free A History of Gay Literature: The Male Tradition, by Gregory Woods

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A History of Gay Literature: The Male Tradition, by Gregory Woods

Product details

Paperback: 468 pages

Publisher: Yale University Press; 1st edition (November 10, 1999)

Language: English

ISBN-10: 9780300080889

ISBN-13: 978-0300080889

ASIN: 0300080883

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#924,005 in Books (See Top 100 in Books)

Woods' phenomenological journey through literature, in which he examines a plethora of perspectives that are aguable "gay," is far more than a literary survey across epochs of history: It asks the question philosophers ask: What is gay? For the most part, that question may never be answered, except in the most biological of terms. Same-sex affection and eroticism. Human diversity is truly extraordinary, and all efforts to achieve a definition, identity, and distinction beyond this expansive single feature only limits what "gayness" subverts. But such an indefinite state is difficult to maintain, if only because erotic longings draw us together in concrete ways. In every age, we need more to hold onto something more enduring, if only because our unique sexuality, standing against the grain, finds such indeterminancy intolerable, if not terribly lonely. After all, men who desire men need love, too. Or at least many of us do.Beginning at the beginning, and traversing millennia and cultures, Woods selects representative examples of homo-erotic literature, enormously exhaustive, acknowledging at the outset that his representative samples may not reflect what many today suppose to be "gay." The post-Stonewall moment heralded an intolerance of concealment, an unwillingness to be persecuted, and a new narrative that may occurred (forced or natural) in the Seventies was hardly emblematic in history. The so-called Castro Clone, hairy men in masculine garb with well-defined features and perhaps a little excess of macho bravado, might have been the dominant craze at the time. But what did this species of same-sex orientation have in common with the pederast (boy-crazy) male of antiquity? According to literature, not much.But the Castro Clone has already passed into history, and Queer Theorists are bent on a new narrative. The effect, perhaps, of AIDS. Certainly, a little microbe has changed the same-sex dynamics considerably; a latex sheath now invades our love, and it seems to have changed our narrative and created distance among us. But we're all stronger and more open than all our historical predecessors ever imagine. The "closet" has ever been the refuge of adult gay men, and after millennia of persecution, we're no longer content to dwell in darkness. And perhaps the re-emergence of political homophobia requires a new story. Perhaps the militant subversion of the Other needs to experience what true Others have felt for ages. Whatever the impetus, more gay men are understandably reacting, often with unparalleled defiance, which may be more adaptive, but it seems foreign to me. Whatever excesses occurred in the Seventies, and they are legion, for the first time in recorded history adult male love, however elusive, was boldly believed.Few books on a "gay" theme have touched me as deeply as this one, because none, despite its failings, has been bold enough to admit that our narratives change to fit the situation, and few narratives reflect the same story. In the final chapter of this otherwise non-polemical inquiry, Woods deliberately casts off his "impartial narrator" and engages in the polemics of paradox (a frequent theme among post-modernists), a variable in the deconstructionist "play" of differance, and one of Foucault's subversions of power. As my anger at his apotheosis of paradox grew (another Pope John Paul II, I thought), he slid home safely. "Paradox," he writes in the final sentences, "may be subversive, but it makes unsound political discourse if ever required to move the very public it defies. Beware of orators bearing paradox: they are unlikely to be democrats" (388).For many, being "gay" is an act of defiance, an act of being ostracized as well as ostracization, and another act of being compromised as well as compromising. In my defense, I lived wherever the margins took me, and disregarded the consequences (and in my case those margins were far and few between). But those days when the love that dared not speak its name (and those days have been interminably long), when paradox and defiance spoke for us as staples of survival (however clandestine), came to an end with Stonewall. However small our numbers, we were liberated by a simple act, not of defiance alone, but of truthful pride. For all the angry contempt heaped on our persecutors, there was a time when we simply did not care to give them any notice. My only hope is that the new wave of persecution does not jade us to love's possibilities, but alas the video record suggests love is a commodity we can consider if we survive.But we've always survived. We're an intrinsic part of nature, for heaven's sake. The Stonewall liberation, however, was truly unique; it allowed us to love openly and passionately, perhaps indiscriminately, and we'll always be open to love, unless the hate of our antagonists prevails. Very, very sadly, I see hate in our own eyes, so virulent, so understandable, and so self-defeating. "They" have already won, because we accepted their binary terms of opposition. In our anger, however justified, we've become one of them. Hate can conquer love, and once again "they" have proved it. What narrative follows next I know not. I only thank Fate for allowing me to experience an extraordinary moment in time. It may never pass again.

Mr. Woods, who is also a critic, brings a certain amount of intellectual and critical information without drowning us in academia. The footnotes and bibliography are well researched and provide extensive information for those who want to go back in time to discover the gay men who have served literature well.Another favorite, “This is No Book” is a collection of gay literary reviews, introductions us to the works of varied LGBTQ authors, present and past. It is published in the UK mushroom publications, and may be available on Amazon also.

Gregory Woods, in A History of Gay Literature, The Male Tradition, has written a comprehensive examination of gay male literature through the centuries and around the globe. It looks at text and subtext and context to find the gay meaning or the meaning for gays in the annals of historical literature. Along the way the reader will learn new aspects of literature (such as the chapter on African poetry, to name one example from my own ignorance) and new ways to look at familiar books and poems. For all its breadth, it is wonderfully readable and somewhat addictive. It had me searching out various books to read them for myself. The writing is so good that I was equally fascinated reading about the books I had not read or did not even know about as I was reading about the others. This is a very good survey and a fun read.

If your interest in gay literature is just starting (and there is no need anymore to explain why) this book will give you a head start. You can find here information on a vast variety of books which you may pick up to expand your knowledge, curiosity, or simply spend you time reading for pleasure. Woods draws an interesting panorama of homesexual themes in literature from the Antiquity to the Present.However, if you are quite far in the subject, you may find this volume a little bit too simplistic and disagree with some of Woods conclusions - e.g. the use of the word "gay" in the title may be quite disputable in the context. But still you may find many pieces of information you haven't yet heard.

This is a very readable book. However I was extremely astonished at the scantiness of space on Japanese same-sex relation. Since after ancient Greek, only Japanese could have enhanced male-homoeroticism to highly ethical valued SHUDO i.e. the way of male love and there is a great number of GAY literature,documents, arts etc. in Japan. I recommend two books for readers THE LOVE OF THE SAMURAI by Watanabe Tsuneo & Iwata Jun'ichi, et MALE COLORS by Gary P. Leupp. And I hope many people study Japanese culture, history and literature more.

This comes close to being the comprehensive survey that is needed, but it is still somewhat spoiled by an ethnocentrism that concentrates on England, America, France and the 20th century. The author devotes no more than ten pages to China and Japan.

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